Michael C. Tusa
Beethoven’s operatic ambitions and struggles: The origins and revisions of Fidelio
Fabrizio Della Seta
Beethoven’s Fidelio: Listening guide
The saga of the three tenors or a witness too accurate to be true?
A duel between deafness and talent
Free to articulate the unheard
Beethoven and opera in Vienna at the turn of the nineteenth century
Fidelio, or the misfortunes of freedom
Female virtues and conjugal love
Conjugal muses: The ideal image of the virtuous woman in Viennese painting in the Neoclassical period
Prisons between the Age of Enlightenment and Romanticism
© 2016 Musicom.it S.r.l. – Milano
The essays by Mauro Barberis, Silvia Lorusso, Roberto Pancheri and Stefano Zuffi are published under licence from Mondadori Electa S.p.a. – Milan.
All rights reserved.